“The Landscape of Extraction: Robert Duncanson’s Cliff Mine and the Hidden History of Black Labor in ‘Copper Country,’ Michigan,” What Does Extraction Look Like?: Visualizing Unearthing in Nineteenth-Century America, C19: The Society of Nineteenth Century Americanists, Cincinnati, March 2026
“Faith, Folk Art, and the Politics of Recognition: Reassessing William Edmondson’s Legacy,” The Rise of Historically Marginalized Contemporary Artists, 2014-2024, CAA 114th Annual Conference, Chicago, February 2026
“Life in the Shadows: Time, Control, and Slavery in a 1709 Sundial,” Museum of Early Southern Decorative Arts, Winston-Salem, June 2025
Organizer, Looking Closer at American Art: A Symposium in Honor of David Lubin, Department of Art, Wake Forest University, Winston-Salem, North Carolina, April 2025
“Illegal Crossings: Animals, Art, and Thwarted Migration at the US-Mexico Border”, More-than-human worlds on the move: reframing and exploring migration from a multispecies perspective in art, Association for Art History, York, UK, April 2025
“Bovine/Divine: Norma ‘Duffy’ Lyon’s ‘Last Supper’ in Butter,” God Loves Kitsch!, CAA 113th Annual Conference, New York, February 2025 Interlocutor, Full-Circle Climate Communication Workshop, the Institute for Harnessing Data and Model Revolution in the Polar Regions (iHARP) and the Imaging Research Center (IRC), University of Maryland Baltimore County, January 2025 (declined)
